Francis Dhomont - Sous le regard d'un soleil noir (1979–81)

Mi interpretación en imágenes sobre Sous le regard d'un soleil noir, del compositor de música electroacústica y acusmática Francis Dhomont. Una composición que tiene como asunto principal la esquizofrenia.

In Sous le regard d’un soleil noir, Mr. Dhomont creates an enigmatic and dreamlike atmosphere, with the subject matter centered on the self. The drama is built up as the barrier crumbles between the self and the external world. The inner being is then invaded, or better, sucked into the black hole of schizophrenia: “One is inside then outside what one has been inside. One feels empty […] to eat and to be eaten to have the outside inside and to be inside the outside. But this is not enough […] and inside oneself there is still nothing.”

This is the worrying black sunrise, as torrid as the intensity of the drama it engenders. The drama takes many forms in the work. Among others, there is an obsessive pitch, B, whose timbre serves to express a searing anguish. There is also the breakdown of the self, evoked in the Engloutissement (“Engulfment”) of Section 2 by the immersion in fluid sonorities that are driven on to an asphyxiation of the personality, until only an inarticulate shadow remains at the bottom of the abyss. Then there is the Implosion of Section 4, and the progressive Pιtrification of the personality in Section 7. The first sound of Citadelle intιrieure (“Interior Fortress”), a heavy door that suddenly slams shut symholizes the walled-in isolation of the personality. Finally, there is the vocal counterpoint at the end of the same section, spread out in space as if this distant voice, fragile and almost inaudible, symbolizes the loss of contact between the self of the individual and the consciousness of its own existence.

http://mutant-sounds.blogspot.com/2007/03/francis-dhomont-sous-le-regard-dun.html